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Kim Muntinga
Review

The Last Ronin II – Re-Evolution: a new generation of Turtles emerges

Kim Muntinga
30/7/2025
Translation: Katherine Martin
Pictures: Kim Muntinga

Leaving the past behind, Re-Evolution follows four young Turtles on a journey through self-doubt, bonding and cybernetic scrap.

The Last Ronin II – Re-Evolution brings the story into its third chapter. But this time, it’s different. Fresher. Younger. Just as tragic, but with a new energy. And yes, I was sceptical.

The complete hardcover edition has been available here in English since 8 July 2025. Kevin Eastman and Tom Waltz are yet again behind the writing and story. Ben Bishop and SL Gallant created the drawings, with Luis Antonio Delgado working as the volume’s colourist.

Please note: this review contains spoilers.

Recap: The Last Ronin is the darkest Turtle story yet

Before we talk about Re-Evolution, I want to address what The Last Ronin actually was and why it made such an impact. First of all, it wasn’t a typical Ninja Turtles story. There was no underground pizza fun. No cowabunga memes, no happy sewer-dwelling rat family.

It was a tragedy.

The comic was published as a five-part miniseries between October 2020 and April 2022. In July 2022, it was released as a complete edition.

At the end of The Last Ronin, the first instalment in the series, Michelangelo dies. His death signalled not just the end of an era, but the beginning of a new one. Just as the story’s drawing to a close, it’s revealed that April O’Neil and her daughter Casey Marie Jones have secretly used Michelangelo’s DNA to create a new generation of genetically modified mutant Turtles.

The second chapter, The Lost Years, looks back on Mikey’s final years: his journey into exile, his inner struggles, the hard training he goes through, far from home. In other words, everything that turned him into that broken Ronin in the first place. At the same time, the comic shows us Casey Marie raising the young Turtles. In the present (after Mikey’s death), they’re still immature, angry and uncontrollable. But they’re there. And they’re growing up.

The Lost Years isn’t just a side story. It’s the emotional foundation built between a farewell and a new beginning. It helps us understand Mikey’s character development, all while quietly yet powerfully setting the stage for Re-Evolution’s focal point: the new generation.

Making sense of Re-Evolution: what happens after the last Ronin?

What’s left after the last Ronin falls? Re-Evolution has an answer to that. A courageous, but also risky answer. You see, this comic doesn’t seamlessly follow on from the end of the original story. Instead, it jumps several years into the future. Into a world which, although still destroyed on the outside, is showing signs of movement on the inside.

All of this is accompanied by a noticeable change in tone. The Last Ronin was a calm, almost mythological tragedy, with The Lost Years deepening that stillness. Meanwhile, Re-Evolution strikes a more restless chord. The comic seems peppier and more driven, without getting lost in chaos. The uncertainty of the present replaces the heaviness of the past.

Spotlight on the story and characters: four new voices emerge, echoing the past

And that’s exactly what the emotional core of Re-Evolution is. These new Turtles are no heroes. Not yet. They’re teenagers with weapons and guilty consciences, born into a role they’ve neither asked for nor prepared for. It’s palpable from the very first scene.

At first glance, Moja seems to be the opposite. Though smaller than Uno, she has a strong build, as well as a distinctive snout and brown skin that gives her a unique look. She, too, has leadership ambitions. She’s just more subtle about it. Moja’s focused, serious and brings a certain down-to-earth attitude to the team. Between her and Uno, there’s both friction and an unspoken question: which of them has what it takes to be the leader?

April O’Neil remains more than just a shadow of the past. Although she’s grown older and more cautious, she’s by no means weaker. Working in the background, she serves as a moral compass, an archivist of old knowledge and a silent force in the reconstruction effort. The relationship between mother and daughter is complex, characterised by pride, concern and a deep mutual understanding.

Art style and atmosphere: cybernetic scrap, neon grief and raw energy

Re-Evolution has carved out its own visual style. While The Last Ronin was heavy and almost movie-like, this comic is edgier, sharper and more garish. The world isn’t in ruins anymore. Instead, it’s an asymmetrical cyborg construct boasting spy drones, LEDs in disrepair and concrete bridges with power lines. New York no longer merely looks lost. It looks mutated.

The panels are often overloaded and full of movement, with gaudy colour accents. Sometimes, I almost lose track of what’s going on, but that’s part of the effect. It’s that feeling of being overwhelmed. Disorientation. Like a teenager brandishing a weapon they don’t know how to use.

But there are also images of stillness. Moments when time seems to stop. A view of the old Turtle hideout, abandoned and dusty. A monologue on the edge of a roof. Graffiti of a masked Michelangelo. These panels feel like sharp breaths in between two explosions.

Themes and motifs: legacy, anger and the right to a future

Re-Evolution is a comic about struggle. Not just physical struggles, but existential ones too. The struggle for meaning. The right to define what being a hero really is.

Re-Evolution’s central theme is legacy and what it means to have to carry one. The four new Turtles live in the shadow of a legend greater than themselves; they were created to be the next iteration of that legend. But what if they don’t want that? What if this legacy is a burden, not a gift?

It’s also about anger as a driving force – and its darker side. Moja embodies this in an almost physical way. She wants to fight, strike, rebel, but doesn’t know exactly what against. The regime is overly powerful, the city indifferent. The enemy is diffuse, which often makes the violence random. The question is: where does blind rebellion end and real change begin?

Classic coming-of-age themes crop up alongside this, without making the comic sound like a young adult novel. These include self-discovery, loyalty, betrayal, shame and longing. The four Turtles are young, and I notice that straight away. They don’t launch into big monologues like Splinter once did. They yell, hesitate and make mistakes. And that’s exactly what’s so touching.

Another underestimated but powerful theme of the comic is belonging. These Turtles weren’t created by accident, but deliberately. And that raises questions. Do they even have the capacity to be free? Or are they products of a failed generation desperately trying to preserve what once was? The relationship between Casey Marie and April, between the new and old worlds, illustrates this quietly but effectively.

April seems like someone who knows history shouldn’t simply repeat itself without question. Professor Honeycutt also slots into this moral grey area. His character serves as a kind of moral compass, especially for April. He critiques her decisions, asks ethical questions about the creation of the new generation and reminds her that good intentions don’t automatically create good results.

The theme of technological control through drones, cyborgs and digital surveillance is interesting too, but it’s never shoved under the readers’ noses. It stays as a backdrop, albeit a threatening one. A constant flickering in the background, reminding us that this isn’t just about personal struggles. This is about an entire system in which freedom no longer exists.

Criticism + praise: between new beginnings and legacy

The switch in perspective works well. Instead of feeling like a reboot, this jump to the next generation feels like a necessary step. The dynamic between the four Turtles works too. Not because it’s smooth, but because it’s not. I can feel the tension, the immaturity, the disagreement. There’s no pretence of harmony. The characters argue, jostle and brim with insecurities. This brings the comic to life and makes the characters believable.

The comic also sets the right emotional tenor. When Yi’s feeling desperate, I notice it. When Uno makes a silly comment while the world’s burning behind him, it hurts because I realise it’s a defence mechanism. These characters don’t feel as if they’ve been written. They feel real. Considering we’re talking about a franchise that’s existed for decades, that’s not a given.

The worldbuilding deserves praise too. This new, run-down New York isn’t just a dystopian copy of other post-apocalyptic cities – it has a life of its own. Surveillance, resistance, technical mutation and social decay all seems credible in their abstraction. The threat is real, but never thrust under our noses. It’s a society that pretends to have a moral compass it lost a long time ago.

One area that the comic’s slightly shaky on is pacing. Some scenes almost rush past you. The structure’s strong, the character conflicts are well executed, but as soon as action takes centre stage, everything seems a little overloaded. There’s no room to breathe. During large confrontations especially, I found myself asking, «Wait, was that the climax or just another step forward?»

But all of this – the little stumbles, the hurriedness, the occasional chaos – feels strangely fitting. Because Re-Evolution is exactly that: a work in progress. Like its characters, the comic itself is yet to settle on a tone. And that’s exactly what makes it so exciting. It’s brave enough not to aim for smoothness. With a franchise of this size, that’s a compliment.

I’m really looking forward to the next instalment – especially after all the big twists, which I went out of my way not to mention here.

In a nutshell

Young, angry, rough around the edges, but full of heart

The Last Ronin II – Re-Evolution isn’t just some nostalgic rehash. Instead, it’s a bold change of direction. The comic has ventured out of the shadows of the past, throwing itself behind a new generation: a band of insecure, quarrelling, doubt-filled mutants still fighting for their place in the world. As a result, many powerful moments arise.

What sets this volume apart from others is its sense of emotional disquiet. It all feels a little raw, a little rough around the edges. But that’s exactly where its appeal lies. The worldbuilding is impressive, with living, breathing characters. On the other hand, the tone is erratic and the pacing isn’t always smooth. In action scenes in particular, the story feels hurried.

However, aside from some minor weaknesses and a bumpy structure, Re-Evolution proves that the Turtles franchise is far from over.

Pro

  • Bold change of tone with youthful vigour
  • Emotionally believable new Turtles
  • Powerful visual language and atmospheric worldbuilding
  • Topical themes such as identity, legacy and belonging

Contra

  • Narrative structure seems fragmented in places
Header image: Kim Muntinga

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