Best RME Audio products in the Audio interfaces category
On this page you'll find a ranking of the best RME Audio products in this category. To give you a quick overview, we've already ranked the most important information about the products for you.
1. RME Audio Advanced Remote Control USB
The ARC USB connects to the computer via USB and communicates directly with TotalMix FX. It features 15 freely assignable, illuminated buttons, an encoder knob, and a jack socket for connecting a footswitch. The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+ and all other RME devices. Since it operates as a UAC 1 class device, it is natively compatible with Windows and Mac OS X. Once registered in the operating system, the ARC USB is automatically recognized by TotalMix FX, and communication for controlling the UFX+ occurs through simple MIDI commands.
2. RME Audio Hdspe Madi
The HDSPe MADI is RME's both inexpensive and outstanding PCI Express card with MADI interface. HDSPe MADI is based on the award-winning HDSP MADI card, and represents the new top model of this world-wide successful card line.
The PCI Express card consequently uses all advantages of the MADI format, the professionals' multi-Channel audio interface, offering 64 channels of 24-bit audio at a sample rate of up to 48 kHz, 32 channels at up to 96 kHz and 16 channels at up to 192 kHz. Transmission is done via a single line, either coaxial with BNC plugs or by fiber cable. In both cases more than 100 m cable length can be achieved.
Compared with the HDSP MADI (Standard PCI version), the express card offers some new features: Support of higher sample rates than 96 kHz, more features in TotalMix (phase and internal loopback per channel, +6 dB gain for the hardware outputs), and the direct support of the Time Code Option. HDSPe MADI provides even lower latencies, making the card the perfect partner for live recording and live mixing applications. The analog monitor output is equipped with the low-latency converter technology of the ADI-8 QS, thus guaranteeing stunning SNR and THD values too.
HDSPe MADI is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. With the ADI-6432 a bidirectional AES/EBU frontend with 64 channels is available.
On a powerful PC/Mac three HDSPe MADI can be used in a combination, providing 192 inputs and 192 outputs on a single workstation simultaneously.
3. RME Audio Fireface UCX II
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live use. With up to 20 recording and 20 playback channels, SteadyClock FS, powerful microphone inputs, integrated parametric EQ, USB Direct Recording, and full stand-alone functionality, the brand-new Fireface UCX II embodies the essence of freedom, flexibility, and passion.
No other audio interface currently offers more connectivity and functionality in a half-rack format. Connection options: 20 Inputs / 20 Outputs, 8 x Analog I/O, 2 x Mic/Line Preamps (digitally adjustable), 2 x Line / Instrument Inputs (digitally adjustable), AES/EBU and SPDIF I/O, ADAT I/O, Wordclock I/O (switchable), MIDI I/O, USB 2.0 (USB 3 compatible).
4. RME Audio RME Fireface 802 FS AE
The new model impresses with its elegant dark design, inspired by the successful ADI-2 series. The Fireface 802 FS AE is technically identical to the Fireface 802 FS and offers the same powerful features and functions, including 60 audio channels, high-end microphone preamps, reference-class converters, a complete electronics section, and operation at up to 192 kHz. Active jitter suppression with SteadyClock FS, DC-coupled outputs for all eight analog line outputs, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, the metering and analysis toolbox DigiCheck, as well as identical operation on Windows PC and Mac complete the package. The feature set also includes the optional Class-Compliant mode (full 30-channel I/O at up to 192 kHz) and operation with TotalMix FX for iPad. RME's app for complete control of the Fireface 802 FS AE from the iPad allows full control of the device - entirely without a computer. The alternative CC mode can be easily activated via a recessed button on the back of the interface. Control of TotalMix FX, including the latest Room EQ function, is now also possible - thanks to the USB-A port for direct connection of the optionally available ARC USB or ARC USB (Black Edition).
5. RME Audio Octamic II
The OctaMic II integrates an 8-channel 192 kHz / 24-bit converter with eight high-quality microphone channels, equipped with top-notch components and proven RME technology. It features minimal distortion, an outstanding signal-to-noise ratio, and a linear frequency response that transmits and amplifies microphone signals absolutely uncolored, ensuring an authentic sound.
The OctaMic II offers 8 balanced mic/line inputs via XLR connectors. Each channel has individually switchable phantom power (48V), a low-cut filter, and phase inversion. The gain is adjustable from 6 to 60 dB. Once the special clip-hold mode is activated and clipping is detected, the respective clip LED begins to blink once per second. This peak monitoring mode saves the user from constantly watching the clip LEDs, while still accurately displaying all acute clipping.
On the front panel, there are switches for power and the selection of the reference level, which can be set to -10 dBV, +4 dBu, or Hi Gain (+19 dBu). This unusual feature has two advantages: first, the reference level can be easily adapted to all current RME devices, from the HDSP 9632 to the Multiface and the high-quality converters of the ADI-8 series. Furthermore, the signal-to-noise ratio is optimized, and the clip LED operates exactly like that of the ADI-8 (2 dB below 0 dBFS).
On the rear panel, the microphone signals are available at 8 stereo jack sockets with balanced line level. The specially designed internal high-performance power supply for the OctaMic II operates in the range of 100 V to 240 V AC. It is short-circuit proof, features an integrated power filter, completely regulates voltage fluctuations, and suppresses power disturbances.
6. RME Audio MADIface USB
Perfect MADI mobility and more! The compact MADIface USB offers MADI In/Out via USB 2.0, with the full channel count of 64 inputs and outputs on both Mac and Windows. For redundant operation, both inputs can be utilized. Alternatively, both inputs can be used simultaneously, providing full access to 128 channels in and out, mixed and routed through TotalMix. Even without a computer, this small box delivers exceptional quality as a bidirectional format converter and active repeater. Its robust construction and USB power supply make it as easy to use as it is reliable in application. The MADIface USB is the optimal solution for mobile MADI use as well as a perfect desktop solution for PC and Mac. A true gem in flexibility, utility, and stress-free operation - just as you would expect from RME. Connections for Record/Playback: 64 channels In/Out each, 2 x MADI I/O (optical and coaxial), TotalMix, no external power supply required, operation possible without a computer, redundancy mode.
7. RME Audio Fireface 802 FS
The Fireface 802 FS is a highly integrated pro-audio solution for live and studio use in a 19" chassis. It is an interface for users who do not want to compromise on sound, stability, and extremely low latency, and who are looking for an unparalleled professional feature set. Once again, it is a milestone among RME interfaces, featuring the best of the best and a little bit more.
With 60 audio channels, high-end microphone preamps, reference-class converters, a complete effects section, and operation at up to 192 kHz, it serves as the foundation for many additional features.
8. RME Audio Babyface Pro FS
The RME Audio Babyface Pro FS is a state-of-the-art audio interface designed for professional applications in music production and audio technology. With 24 channels, including 12 input and 12 output channels, it offers a variety of connection options, including analog inputs and outputs as well as digital interfaces like ADAT and SPDIF. The aluminum block construction not only provides an appealing look but also ensures high stability and durability. The innovative technology enables outstanding sound quality that makes no compromises even in demanding applications. The integrated microphone preamps offer high gain and are equipped with digital control, allowing precise adjustment of phantom power. The Babyface Pro FS is therefore ideal for musicians, sound engineers, and producers who value the highest audio quality and flexibility.
- 24 channels with 12 input and 12 output channels
- High-quality analog and digital circuitry for excellent sound quality
- Digital control of phantom power for microphone inputs
- Independent amplifier stages for headphone outputs, suitable for various impedances
- Compact and robust aluminum construction for maximum mobility and durability.
9. RME Audio RME ADI-2/4 Pro SE
The ADI-2/4 Pro SE (Special Edition) is the latest addition to the award-winning ADI-2 series, featuring a new circuit board, improved specifications, and faster DSP for an exceptionally transparent sound signature. It offers an extremely powerful headphone amplifier with a balanced 4.4 mm Pentaconn connection and a trigger-out function for turning external devices on and off. Building on the years of development of the ADI-2 Pro, RME presents the next addition to the highly acclaimed ADI-2 series.
This latest masterpiece comes with a new circuit board, enhanced specifications, and faster DSP for outstanding sound transparency. It features extremely powerful headphone amplifiers, including an IEM power setting, an ultra-low-noise 4.4 mm Pentaconn balanced connection, a trigger-out function for controlling external devices, and finally, a RIAA mode for directly digitizing vinyl records in the highest quality.
10. RME Audio ADI-2 FS
The ADI-2 FS is a compact yet highly flexible 2-channel high-end AD/DA converter. The device offers top-notch AD/DA conversion to/from SPDIF, AES/EBU, and ADAT in a half 19-inch chassis, with support for up to 192 kHz. Its ability to handle SPDIF, AES/EBU, and ADAT equally provides it with outstanding compatibility. Whatever it is - just plug it in!
Balanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal converter performance, a 3-stage hardware adjustment for input and output levels, as well as the additional D-D and A-A modes make the ADI-2 FS a universal tool and versatile problem solver, which, with its exceptional sound quality, also serves as a complement to other high-quality converters.
