Best selling Lenses from Dzofilm
On this page you’ll find a ranking of the best Lenses from Dzofilm. To give you a quick overview, we’ve added the most important product details. This page always stays fresh and updates automatically.
1. Dzofilm Catta Zoom 18-35mm T2.9-E Mount
This cine lens is designed to maintain sharpness when zooming. Lenses in the Catta zoom series reproduce accurate colours and offer a smooth transition between sharpness and blur. It has a wide aperture range from T2.9 to T22, a 16-blade diaphragm for smooth bokeh and a closest focusing distance of 51 cm. True to its cine design, it has a focus rotation range of 270°, a zoom rotation range of 100° and an aperture rotation range of 77°. The lens has a Sony E mount, which can easily be exchanged for optional RF, L, X and Z mounts. Several accessories are included with the lens, including front and rear lens caps, a shim set, a support foot, a support rod and a filter holder.
Features:
- Maintains focus over the entire zoom range from 18 to 35 mm
- Minimal focus breathing
- 16-blade diaphragm with soft bokeh
- Aperture T2.9 to T22; 2.3x zoom factor
- 270° focus rotation; 100° zoom rotation; 77° aperture rotation
- 51 cm close focusing distance
- 80 mm Lens diameter
- 0.8 MOD Gear rims
2. Dzofilm Arles 35mm FF/VV Prime Cine Lens Arri PL
The Dzofilm Arles 35mm T1.4 FF/VV Prime Cine Lens is an advanced fixed focal length lens specifically designed to meet the needs of filmmakers and video producers. Inspired by the picturesque town of Arles in the south of France, this lens offers exceptional light sensitivity and creative possibilities for cinematic expression. With a maximum aperture of T1.4, it enables outstanding low-light performance and provides an impressive shallow depth of field that allows narrative details to be clearly emphasised. The advanced nano-coating technology minimises reflections and ensures vivid, clear images, while the even brightness transitions and precise reproduction of light and shadow details enrich the visual experience. This lens is ideal for creative projects that require high image quality and artistic freedom.
- Maximum aperture of T1.4 for optimal light capture and shallow depth of field
- Advanced multi-layer nano-coating to minimise reflections and improve image quality
- 16 aperture blades for appealing bokeh quality and controlled flare.
3. Dzofilm Pictor Zoom 3-Lens Kit (14-30/20-55/50-125 T2.8) White
This bundle consists of the Super 35 zoom lenses Pictor 20-55mm T2.8, Pictor 50-125mm T2.8, and Pictor 14-30mm. This lens combination covers a wide zoom range. All lenses have a maximum aperture of 2.8 throughout the entire zoom range. The lenses are equipped with standardized gear rings on the focus, aperture, and zoom rings, making them compatible with professional lens accessories such as follow focus systems, lens motors, and control systems, allowing for quick lens changes. The outer front diameter of 95 mm enables the use of a variety of compatible third-party matte boxes, and the lenses feature an 86 mm filter thread. With the lens support foot, you can mount the lens on standard rods to reduce the strain on your camera's lens mount.
Each lens comes standard with a PL mount. Additionally, a Canon EF mount is included, which is used by many digital cinema cameras. The parfocal lenses maintain focus throughout the entire focal length range and feature an iris diaphragm with 16 blades, providing a round and natural bokeh. A robust case for transport and storage is included.
Please note: According to the manufacturer, these lenses, when converted to EF mount, are not compatible with DSLR cameras that have an EF mount. However, they are compatible with mirrorless cameras that have an EF connection, including Blackmagic Design cameras.
Lenses
EUR5969,–
Dzofilm Pictor Zoom 3-Lens Kit (14-30/20-55/50-125 T2.8) White
Canon EF-S, L-Mount, APS-C / DX
4. Dzofilm Pictor 50-125mm T 2.8 Canon EF (Manual Focus)
The DZOFilm Pictor 50 to 125 mm T2.8 Super 35 Parfocal zoom lens is a parfocal cine lens with a maximum aperture of T2.8 and an aperture range of T2.8 to T22. As you would expect from a cine zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. Internal focusing with floating elements virtually eliminates focus breathing. The lens covers a Super-35 image circle, comes standard with an interchangeable PL mount and has an EF mount.The 16-blade diaphragm creates out-of-focus highlights that contribute to the lens' natural-looking bokeh. The lens features cine-style gears on the focus, iris and zoom rings, making it compatible with cine accessories such as follow-focus units, lens motors and lens control systems. The 95mm outer front diameter allows the use of a variety of compatible third-party matte boxes, and the lens has an 86mm filter thread. The lens support foot allows you to support the lens on rods to reduce stress on your camera's lens mount.
To note: According to the manufacturer, this lens, when converted to EF mount, is not compatible with
DSLR cameras that have an EF mount. However, it is compatible with
mirrorless cameras that have an EF mount,
including Blackmagic Design cameras.
5. Dzofilm Vespid 50mm T 2.1 Cine PL Mount
The relatively small and lightweight DZOFilm Vespid 50mm T2.1 lens is part of DZOFilm's Vespid lens series and is ideal for independent and high-end full-frame cinematography. The lens has a front diameter of 80mm, allowing it to be used with virtually any cine-style matte box. The small size makes this lens an attractive option for employees working with drones and gimbals, as well as for handheld or on-camera shooting. The interchangeable PL mount and included EF mount allow the fully manual lens to be used on a wide range of modern and legacy film cameras, while the full-frame coverage supports sensors with an image circle of up to 46.5mm, allowing it to be used on cameras with sensors up to full-frame without vignetting. The 16-blade diaphragm, which is used on all Vespid prime lenses, creates out-of-focus highlights that contribute to the natural-looking bokeh of the lens. The focussing ring can be rotated through 270° and the aperture ring through 58° to enable precise focussing. The toothed rings on the focus and aperture ring make the lens compatible with cine accessories such as follow focus units, lens motors and lens control systems.
6. Dzofilm Pictor Zoom 12-25 T2.8 for PL/EF Mount (S35)
The black Pictor 12-25mm T2.8 Super 35 Parfocal Zoom Lens from DZOFilm features a maximum aperture of T2.8 with an aperture range from T2.8 to T22, expanding the Pictor lens series with an extreme wide-angle zoom lens. As expected from a cine zoom, the lens is parfocal, meaning it maintains focus throughout the entire zoom range. The internal focus design with floating elements virtually eliminates focus breathing. The lens covers a Super 35 image circle, comes standard with a removable PL mount, and includes an EF mount. The 16-blade diaphragm creates round, out-of-focus highlights that contribute to the lens's naturally pleasing bokeh. The lens is equipped with cine-style gears on the focus, aperture, and zoom rings, making it compatible with cine accessories such as follow-focus units, lens motors, and lens control systems. The outer front diameter of 95 mm allows for the use of various compatible third-party matte boxes, and the lens has an 86 mm filter thread. With the lens support foot, you can support the lens on rods to reduce the strain on your camera's lens mount.
Note: According to the manufacturer, this lens, when converted to EF mount, is not compatible with DSLR cameras that have an EF mount. However, it is compatible with mirrorless cameras that have an EF connection, including Blackmagic Design cameras.
7. Dzofilm Vespid Prime2 105mm (PL, Black, Carton, Metric)
8. Dzofilm Arles 25mm T1.4 FF/VV Prime Cine Lens for PL (metric)
The Arles 25mm T1.4 FF/VV Prime Cine Lens by Dzofilm is a high-quality lens specifically designed for film production. With a focal length of 25 mm and a maximum aperture of T1.4, this lens delivers exceptional performance in various lighting conditions. It features a PL mount, making it compatible with a wide range of professional cameras. The lens construction ensures precise image reproduction and minimizes optical distortions, which is crucial for filmmakers. It is suitable for both full-frame and Super 35mm sensors, making it a versatile choice for different projects. The robust build ensures durability and reliability in use, while the ergonomic design allows for easy handling. With the Arles 25mm T1.4, creatives can realize their visions with clarity and detail.
9. Dzofilm Arles 14mm T2 FF/VV Prime Cine Lens for PL (metric)
The Arles 14mm T2 FF/VV Prime Cine Lens by Dzofilm is a high-quality lens specifically designed for the demands of film production. With a focal length of 14 mm, it offers a wide perspective that is ideal for landscape shots, architecture, and creative film projects. The lens is equipped with a PL mount, making it compatible with a variety of professional cameras. The T2 aperture provides excellent light sensitivity, ensuring impressive image quality even in low-light conditions. The lens construction ensures uniform sharpness across the entire image field and minimizes optical distortions. Additionally, the Arles 14mm lens is optimized for use in film and video, allowing for precise control over depth of field and smooth aperture adjustments. This lens is a valuable addition to any professional film camera setup, offering filmmakers the flexibility to realize their creative visions with the highest image quality.
10. Dzofilm X-TRACT 18-28mm T.8 FF 90° Probe Macro Zoom Lens
The DZOFILM X-Tract 18-28mm T8 FF Peri Probe Macro Zoom Lens is a professional cinematography lens featuring a 90-degree right-angle probe design and a focal length range of 18-28 mm. This metric lens maintains a constant T8 aperture throughout the entire zoom range and offers distortion-free macro shooting capabilities. The parfocal design ensures consistent focus during zoom operations, while the ultra-low focus breathing of 0.5% allows for smooth focus transitions. The lens construction includes interchangeable front modules that enable switching between 90-degree and 0-degree viewing angles, providing versatile framing options for various shooting scenarios. With precise optical specifications, this probe lens is designed for durability and reliability in professional film production environments. The optical performance delivers high-quality images with minimal distortion, making it suitable for detailed macro work and close-ups in cinematography. The lens body is made from robust materials to withstand regular professional use while maintaining optical precision. The 90-degree probe configuration allows for unique shooting angles and perspectives that are difficult to achieve with conventional lens designs. This model is the successor to earlier probe lens designs, featuring improved optical performance and mechanical durability. The lens is compatible with full-frame camera systems and maintains consistent optical quality across the entire focal length range. Professional cinematographers will appreciate the precise control and reliable performance this lens offers for demanding production requirements.
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