Munich 1975: Bea and Kai are around 20 years old, living in the commune Kollektiv 7 and working towards the overthrow of societal conditions. Kai, a working-class child, school dropout, and runaway, is passionate about the poet Rolf Dieter Brinkmann and Charles Fourier's utopia of a society of passions and happiness. Bea, who comes from a well-off background, is involved in a radical women's group and is a fervent supporter of the artist VALIE EXPORT and eco-feminism, as described by Françoise d’Eaubonne in her classic "Feminism or Death": The patriarchal system can only be overthrown through an eco-feminist mutation. But how can this power shift be realized in the present?

Before a joint artistic protest action, Bea and Kai experiment behind closed doors with the reversal of patriarchal relations: they begin a sadomasochistic relationship in which he is the servant and bringer of happiness, and she is the mistress and queen. For Bea and Kai, this is a lived model, a first act to realize the mutation in the world. But can a planetary movement against phallocentrism be organized if the experiment remains confined to their own four walls?

Herbert Kapfer tells in this sexual-political chamber play in 7 acts about a volatile relationship at the beginning of a new era, about the power of gestures and the gestures of power, about humiliation and exaltation, and 810 passions, about a pleasurable connection of theory and practice that has the potential to turn the prevailing conditions upside down.