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Guide

Recording live music in stereo: why I use a field recorder

David Lee
13/7/2023

I want a straightforward way of recording live music. Like most of you, I’ve just used my smartphone until now. But that has its pitfalls, primarily because I want the whole thing in stereo. I even surprised myself when I switched to an external audio recorder.

My smartphone makes it easy to capture concert clips, band rehearsals and my own song ideas. Phones like this have multiple microphones built in, meaning they’re also able to generate stereo sound. Sometimes, the result is pretty good, but other times, less so. Why is that? I got to the bottom of it and tested out several options.

Pure audio in mono; video in stereo

Which I find annoying. At a concert, video is great, but in our band rehearsals I don’t need visuals. This just makes the files bigger, and they end up impractical to send. Or I have to separate sound and image afterwards.

With special recording apps, you can also capture stereo without visuals. However, finding a good app has proven difficult – more on that later.

Setting up and using the built-in microphones

There are three microphones on my iPhone 12 mini. One on the bottom edge, and two more on top, with one on the front and the other on the back. The mics on other smartphones may be positioned slightly differently, but it shouldn’t be hard to find them.

To find out which microphone is being used right now, I rub my thumb and forefinger together right next to each one. You can only hear the sound well from very close. This makes it easy to distinguish a microphone in use from one that’s not.

The upshot of these tests is that the Voice Memo app, which only records sound, uses the mic on the bottom. Meanwhile, in video mode, the iPhone always uses the two microphones on the top, and the mic on the bottom remains inactive.

That really surprised me. For good surround sound, microphones need to be as far apart as possible. This was the case with my previous smartphone, the Huawei P20 Lite. With the help of a cardboard divider, it produced an almost binaural stereo sound.

Of course, that’s only an option when shooting in landscape format, but still. In portrait format, you can’t achieve a realistic stereo image given the microphone set-up – they’re all more or less on the centre line.

The layout and use of the built-in microphones accounts for why I was never satisfied with stereo sound. In particular, why the shots in landscape mode aren’t any better than portrait mode.

I now also realise why some band rehearsal recordings sound muffled. As I’m not interested in watching video, I place the iPhone on the table. As a result, the tabletop is covering one of the two active microphones. When recording from the front, this microphone records louder than the one on the screen side. With selfie shots, it’s the other way around.

Third-party apps

External microphone

In theory, the Zoom iQ7 should actually be a high-quality, well-designed product. It boasts a knob, sound level display and headphone jack. A removable plastic cover lets the iPhone dock flush against the device, even if it’s still in a case. In the corresponding recording app on your iPhone, you can also rotate the screen 180 degrees. This normally doesn’t work, but you need to do it if you want to take a photo in portrait mode and attach the microphone on top.

In spite of these merits, I wouldn’t recommend the iQ7. The reason being it plugs directly into the iPhone’s data port, in other words, the lightning connector. This will soon be obsolete for iPhones, as the EU requires them to have a USB-C from the end of 2024. As a result, the microphone will only work on future iPhones with an adapter at best.

There’s a similar mic for Android with a USB-C, the Zoom AM7, but I haven’t tested it.

Field recorder

The third option is to record sound with an external audio recorder. I used the Zoom H1n field recorder for this. It’s a simple, not too pricey device that’s adequate for what I need. You can see the audio level before recording and adjust it via a controller. As well as MP3, there are various uncompressed formats to choose from, which is important if you post-process the audio.

Video recording is more complex with an external recorder because you have to transfer both audio and visuals to the computer and synchronise them in an editing program. But it yields better results. And it works with any smartphone, as well as any camera.

All you need is a place to put the external recorder. Because holding both the recorder and smartphone at the same time is tricky. The recorder I use can be mounted onto an ordinary tabletop tripod.

In the following video, you can hear the difference between the internal microphone and the Zoom H1n. It doesn’t just provide improved surround sound but also better sound quality, such as clearer trebles. As I can hold the microphone directly in front of the source, the signal is stronger, meaning I can turn the gauge down. The result is less interference.

Consistent recordings instead of changes for the worse

Another instance of optimisation we didn’t need or ask for is sound changes when you zoom into the image. As you’ll see in the example below, it’s very distracting. The iPhone tries to automatically match the sound to the image frame. But that doesn’t work here, as the sound of the electric instruments isn’t coming from the musicians, but rather from the speakers.

Incredibly versatile

Verdict

So, should you carry a separate audio recorder along with your smartphone? I was incredibly sceptical at first, but now I’m won over. For my purposes, it’s just the thing. In future, I intend to record live music primarily with the field recorder. Only if I’m in a hurry and can’t transfer anything to my computer will I continue using a smartphone.

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My interest in IT and writing landed me in tech journalism early on (2000). I want to know how we can use technology without being used. Outside of the office, I’m a keen musician who makes up for lacking talent with excessive enthusiasm.


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